STORYTELLING RADIO PROGRAM!

"STORY-LOVERS WORLD! "
with Jackie Baldwin
http://www.ksvy.org



Storytelling Radio Program
KSVY-FM 91.3, Sonoma, CA
http://www.ksvy.org

Sundays, 5-6 pm Pacific time (adjust for your time zone)
Live audio streaming: Go to the KSVY website. In the upper
right-hand corner, click on High or Low Speed and find
yourself listening to the program in progress.

Theme music: Special thanks to Petra Koch in Germany (she works with Storyteller Richard Martin), who performed the beautifully haunting alto recorder music of Como Podem from the 13th century collection Cantigas de Santa Maria (copy of Kynsecker, Mollenhauer & Co.). Used on this program with her kind permission.

Engineer: Brodie Giles, KSVY

PROGRAM 18:
Jan. 21, 2007 - The Adventures of Our Feathered Friends

Today we continue celebrating the lives of some of our
fellow travelers on this planet...our friends with feathers...
who flit and fly through our lives with grace and beauty.

Here are a few of those stories.

Featured storytellers:
Priscilla Howe (Kansas)
Poule and Blatte
Better be careful who you marry, because you may find
your new mate likes to party more than work...
and tries to dupe you in the bargain!

Joe Keenan (Tennessee)
There Were 3 Crows
The ancient English folksong about three predators
who lurk in the trees waiting...waiting...waiting...
sung in a new way.

Kathy Hunter (Oregon)
Pretty Chicken
A very contemporary story about a pretty girl chicken who tries
to be even prettier until the day she has to face her worst fears.

Bob Reiser (New York)
The Swan Tenor
This swan brings pleasure to thousands of fans with his lilting tenor voice,
but along the way he forgets who he is and the important things in life.

Rosie Simon (New York)
Why Hens Scratch in the Dirt
Oh-oh, better be careful what you promise to whom...or you may
doom yourself and all of your descendants to very odd behavior.

Carrie Sue Ayvar (Florida)
Little Red Hen
The classic story told bilingually in a very special way...

Joe Wos (Pennsylvania)
Don on the Farm
There may be a long road to travel when you want to be somebody other
than what you are...you'll have to decide for yourself if it's worth the trip!

••••••

Guest tellers...
• Priscilla Howe (Kansas)Poule and Blatte
Here's what Priscilla has to say on her website at
http://www.priscillahowe.com/index.htm

I love telling stories. I love it so much that I became a full-time storyteller in 1993.

What do I tell? Funny, scary, serious, goofy and sophisticated stories, tailored to the audience in front of me. You’ll find me at festivals, school assemblies and residencies, juvenile detention centers, libraries, house concerts, colleges and coffeehouses. I perform in English, French and occasionally Bulgarian. When I'm with young children, my hand puppets come along for the ride. When I’m performing for older kids and adults, I may bring out stories for more refined sensibilities.

I travel around the US and to Europe, telling stories. When I’m at home in my little brick house in Lawrence, KS I tell stories to my cat, Joe Fish.

My recordings, "The Bully Billy Goat and Other Stories" (DVD), "The Best (and Worst) of Beasts" (CD), "The Ghost With the One Black Eye" (CD), and "Chickens!" (CD) are available on storyteller.net and at a few local outlets. Wonder what I sound like? Go to my listening page.

Want to read my ramblings? Here’s my blog.

I’m also looking for the best restaurant pie on earth.
•••••
Here's Priscilla's blog:
http://storytellingnotes.blogspot.com/
•••••

Priscilla's story Fox and Hedgehog is found on this CD:
Chickens! And Other Stories for Young Children
Hear the story "The Gunniwolf" when you click on this web page. We use Windows Media.
http://shop.1asecure.com/prod.cfm?ProdID=251843&StID=5957

About this CD:
Some favorite funny and a few slightly scary folktales for kids age 4 and up, with plenty of audience commentary.

"Hey! I know you! You came to my school and told that story! Remember me?" Kids say this to Priscilla all the time (and she loves it). When she tells stories, kids remember for years to come. This CD was recorded live at an elementary school, so you’ll hear comments, cheers and giggles in the background.

"Chickens!" is almost an hour of ridiculous (and a few very slightly scary) stories, some of Priscilla’s faves. Her first CD, "The Ghost With the One Black Eye" is just as ridiculous, and has even more stories. Both are great for kids age 4-10 (yup, it’s a wide age range, but it works).

Her background? Priscilla has been telling stories all her life, and has called herself a storyteller since 1988. In 1993, she quit her job as a children’s librarian and became a full-time storyteller in Lawrence,Kansas.

She travels all over the country and has performed in Europe as well--in French and Bulgarian as well as in English.

She tells at schools, libraries, festivals and coffeehouses (also juvenile detention halls, house concerts, conferences, you name it).

She has given workshops at the National Storytelling Conference (1997, 2001, 2003) and performed at the National Storytelling Festival in Jonesborough, TN, at the Exchange Place in October 2001.Here are some of the comments on her performances:

"...When you told stories there was this feeling inside of me that made me feel like I was having a great dream." --student at Grant School, Lawrence KS

"Tell it again!"--countless students over the years

"Encore une histoire!"--countless Belgian students

Priscilla is also searching for the best restaurant pie on earth.
•••••
Playlist:
1. Chickens!
2. At Midnight
3. Poule and Blatte
4. Fox and Hedgehog
5. Cheep and Cackle
6. Cat and Mouse
7. The Lazy Young Woman
8. Ti Jean and the Donkey’s Egg
9. The Gunniwolf

Shipping and Handling costs: We have a flat-rate shipping cost for 1-10 items from our store. Please see store front for current charge. This item normally ships via the United States Postal Service. Please allow 10 working days for product to reach you. Items may arrive in separate packages. No refunds but we will offer an exchange if CD Disk or Book is damaged. This item is dropped shipped and the vendor will be given your mailing address, phone number and Email address to facilitate the shipping process. Your credit card information is not shared.
http://shop.1asecure.com/index.cfm?DeptNo=14&StID=5957&afid=99

Priscilla has two other CDs and a DVD at the same site.
•••••
Contact:
Priscilla Howe
347 Elm Street
Lawrence, KS 66044
priscilla@priscillahowe.com
http://www.priscillahowe.com/index.htm
(785) 832-1294
•••••
•••••

• Joe Keenan (Tennessee)There Were 3 Crows
Have you talked with a Tennessee mule lately? Tested your wits against a leprechaun? Faced down a bandit? Played a duet with a bird? Consoled a weeping bucket? Those are just some of the adventures Joe will lead you on with his stories and songs and ditties. Out of a lifetime of entertaining, teaching and traveling, Joe has collected and crafted programs to touch your funny bone, touch your heart, revive memories, and awaken new possibilities. He has programs such as:
• Memories. Stories of growing up in the South in the ‘30s and ‘40s
• Fools & Foolishness. The messes we do get ourselves into—and how we try to get out.
• The Narrow Path. Stories of generosity, courage, grit and hope; the hard but worthwhile choices.

Joe has brought his unique style to Seniors in retirement, civic and social clubs, college classes, school kids in elementary and middle grades, and to family groups at festivals. He has twice been featured at the annual conference of the Tennessee Storytelling Association, and has performed four times at the Tennessee Festival of Books. He has entertained at the Saturday night concert of the VASA Gathering, the TaleSpin Festival in Chattanooga, and was featured at the First Annual Hoggs Falls Storytelling Festival, Owensboro, KY.
Joe is a member and a past officer of the Tennessee Storytelling Association. He holds membership in the Southern Order of Storytellers and is an Elder member of the National Storytelling Network. He has published a storybook, Old Tales—New Tails (1998), and a CD, There Were 3 Crows (2004).

In addition to performances, Joe offers workshops on:
• Your Indispensable Voice. Techniques and practices to keep your voice healthy, strong, and vibrant.
• Them Bones Gonna Rise. Most folktales are just bare bones plots. Here’s how to give them the muscle, skin and hair to stand and walk with personality.
• Puttin’ On the Style. How to raise your performance level from so-so to WOW, to give your audience what they really want.

Articles by Joe
Digging for Stories
http://www.storyteller.net/articles/192

Contact Information:
Joe Keenan
167 Deercrest Circle
Franklin, Tennessee 37069
Phone: 615-646-9357
nanjoe@bellsouth.net
•••••
•••••

• Kathy Hunter (Oregon)Pretty Chicken
Kathy Hunter loves to entertain. Following a long writing career in Alaska, enlivened by an interest in music and community theater, she has combined all her talents in storytelling. After retiring to Wallowa County in Eastern Oregon, she found an active supporter in the writers' nonprofit organization Fishtrap (http://www.Fishtrap.org ). Kathy produces Fishtrap Storytime, a weekly show on radio KWVR in Enterprise, and her stories have been aired on public radio from Spokane to Honolulu.

Kathy's tales are original stories or reinterpreted folktales that often feature music. She sings, and employs a variety of musical instruments that include autoharp, dulcimer, penny whistle and ukulele. In Northeastern Oregon a delighted audience listens to this family storyteller on the air, and sees her perform at schools, summer camps, retirement homes, arts festivals, libraries, and Fishtrap events. Kathy has produced two CDs with her characteristic stick-in-your-head songs. The CDs Why the Skunk Stinks, and Other Nature Stories for Children, and Rowf! Songs and Tales from Many Cultures are available locally, or from the author.

Kathy is a member of the National Storytelling Network, is listed by the Oregon Library Association in their Performer's Showcase and represented by the Eastern Oregon Regional Arts Council.

Listeners' Comments
"Thanks so much for helping to make our Dr, Seuss Day such a success. You were terrific! I'll never look at the Green Eggs and Ham Book in the same way."
—Marcie Sheehy, Librarian, Wallowa Elementary, Wallowa, OR

"I must admit I was mesmerized."
—Lauren Bienkowski, Northhampton, MA. Children's Crisis Counselor

"You are a wonderful storyteller."
—Rebecca Cohen, Newport Librarian, Newport, OR.

"Your CD is wonderful. I really liked all the different voices you can do, the vocabulary you chose, the incremental endearments, the repeated elements and the stories you selected. The extra voices on one story help to supply variety. I can see why kids would like it. I especially liked the ouzel story because I have a soft spot in my heart for ouzels."
—Ann Chandonnet, Juneau, AK. Poet, Journalist, Mother

"All of us at Wallowa Elementary really enjoyed your African presentation at our Book 25 Club get-together. You had the kids hooked, Kathy, with your story. We appreciate your time and expertise and we look forward to having you come to our school again in the future."
—The Wallowa Elementary Staff, Wallowa OR

"Thanks so much for your time and talent in storytelling at camp this year. We really appreciate your leading a workshop. It was terrific, and a great experience for the kids! I hope you'll join us again next year."
—Jeni Greenshields, Director, Joseph Summer Camp, Joseph, OR

"Thanks for a great performance."
—Minnie Tucker, La Grande Parks & Rec. LaGrande, OR

"Thank you so much for sharing your storytelling talent with our group. The crowd and noise were far greater than expected but you seemed to have the audience on stage captivated. The storytelling greatly enhanced our success!"
—Anne & Angie, Building Healthy Families, Enterprise, OR

"The happiness you spread is through your children's stories. You're great! The children love listening to you and so do I. You are The Wallowa Valley story lady."
—Iva Lindsay, Lostine Vacation Bible School, Lostine, OR

"After Emma heard Kathy's stories at school she came home and told them to me verbatim. She played the characters and sang the songs, for days. I've never seen her taken by a story like that!"
—Carolyn Lochert-Musician, Mom, Lostine, OR

"My friend loaned me her fancy van to take a bunch of kids to the pool. I turned on the key, the seat began to heat up, the CD player came on and all the kids started singing along. It was my Mom's CD!"
—Mindy Hunter, Fairbanks, AK. Teacher, daughter, Mom

"Storytelling artistry, mesmerizing presentations. She has command of an innovative style along with consummate storytelling skill. .. Incredible spirit, humor, wisdom and grace.. Articulate, nurturing, life-affirming—an exceptionally talented artist and educator."
—Merna Hecht, Storyteller, Arts Educator, Literacy Consultant WA, School Districts

"Dear Storyteller,
Thank you for telling us the storys. I lickde the billegot won it wus gat. (I liked the billy goat one; it was great) "
—Frum Tiffany Wallowa, OR

Programs include but are not limited to:
1 Environmental Stories:
2 Grandmother Nature Stories
3 Just for Fun
4 Multicultural Stories
5 Oregon My Oregon
6 Greek Myths
7 Student Workshops
•••••
Contact Kathy at:
http://www.kathytales.com/index.html
http://www.kathytales.com/contact_form.html
Kathy Hunter
68762 Allen Canyon Loop Rd
Wallowa, OR 97885
•••••
•••••

• Bob Reiser (New York)The Swan Tenor
Bob is an expansive and joyous storyteller, teacher, and an award-winning author of books for children and adults. Accompanying himself with flute and drum, Bob brings warmth and wit to traditional and original stories. Recently his performing has been featured at New York's Clearwater Hudson River Festival, Rhode Island's Johnnycake Festival, and the annual National Storytelling Network Conference. McFarland Press listed him among the "120 best contemporary English-speaking Storytellers." Dr. Morgan Hill (Brother Blue) calls him a "force of nature."

My Story
Grandpa Abe: The First Family Raconteur
Born in April 1941, in Brooklyn, New York, I just missed being a baby-boomer. My parents were radicals while the rest of the country tiptoed through the conservative 1950s; I grew up Jewish while everyone on TV celebrated Christmas. I was too young to be a beatnik and too old to be a hippie. It was my perch from the outside that made the world look like a story.
Born to tell stories.

Mom and dad wanted me to be a doctor. But it was not to be. The world of stories beckoned! An M. A. in theater from NYU Drama School, a stint at Chicago's Second City Improvisational group, and comedy sketches for some forgotten TV shows finished my education. I even toured with my own comedy troupe, The Portable Radio Circus. In 1976, I settled into full-time writing, including collaboration on two books with folk singer and community-organizer Pete Seeger.

The turn to storytelling came in Taos Pueblo, New Mexico. Wandering around the square, I saw a hand-made "dream catcher" almost ten feet tall standing in front of a shop. Inside, the counter was covered with little clay figures of seated grandfathers and grandmothers with laps full of grandchildren; "storytellers" the proprietor called them. Then she told me how each winter, the elders come into homes with their stories. "Each day they sit with the family, close their eyes and dream the stories of long ago -- Stories of the sky and the earth and the spirits and the animals. The children grow quiet and listen; even the adults who have heard the stories listen." I ran outside and told my wife, "Sandy, when I grow old, I want to be a storyteller!" "Why wait until you are old?" she said - a sensible answer.

I began collecting stories; I began writing them. Finally I got up my courage and I began telling them, and fell in love with audiences as well. That was nine years ago. The love affair continues.

Excerpts from an interview with Bob:
Q. Bob, tell me a little bit about just your storyteller path, how you became a storyteller and what you do now as a storyteller.

A. Oh, great. That’s a question I love to answer because it’s a story. About 12 years ago, my wife and I were out west in Taos, NM, which is really a beautiful, beautiful area, and we were in the town of Taos, which is a traditional Native American place... The Indians live there and they don’t have electricity. They try to keep it very traditional for people who want to live that kind of a life. But they’ve got lots of shops there and boutiques, so I had seen from the sidewalk this enormous dreamcatcher. It must have been about 10 feet across. And it was like a beacon and pulled me into the store.

It was a little shop, it had no lights in it, and it was hard to see. And I started talking to the woman there about her dreamcatcher and she said that her husband had been working on it for years and it wasn’t for sale... I said, don’t worry, I didn’t want to buy it—there would be no way to get it home—and then I noticed that she had these little dolls, little play dolls, men or women seated with little children around them. I had been seeing them all over town, I saw them everywhere. And she said those were storytellers.

Now, I couldn’t imagine how that could be a storyteller because to me storytellers were people who entertained at children’s parties and they wore funny hats, so they just didn’t look like storytellers. But she said, 'No...in the winter, it’s very cold here and you don’t want the grandparents to freeze so we invite them into our houses to spend time with us and they’ll sleep on the sofa or we put out a bed for them in the dining room and they’re safe there, but they don’t want to just stay and do nothing for their keep, so they’ll spend the winter—or as long as they stay there—telling stories. And they’ll tell stories about where we came from, where the animals came from. They’ll tell stories for the children, and every evening the family will sit around as they tell all the old stories, and when they feel they have no more stories to tell, they’ll move on and stay with another family.'

I was so—tears were running down my face by the time she finished, because it was such a beautiful idea of what stories meant, and about a society where nobody was wasted, nobody was thrown away. And I walked out and my wife had been walking on the street. I said, 'You know, when I get old, I’m going to be a storyteller.' She said 'Well, you don’t have to wait until you’re old.' She doesn’t remember saying that, but I’m sure she did. And I said, 'Oh, no, I guess I don’t,' but it took about a year and a half after that that I finally got up the nerve to tell a story.

Q. How did you know what to do?
A  Well, I didn’t, actually... I joined a local guild of storytellers—actually, what let me know that there was a whole world of storytellers out there was Storytelling Magazine that was available then at all the big book stores—and I said...there’s a whole lot of people doing this, and I found out there was a guild that met not too far from where we lived. But about a year later I was at an event, and I had still not told a story. Somebody said, 'Well, Bob, you keep telling us you’re a storyteller, so why don’t you tell a story? Well, I had been trying to get up nerve enough to do this for a long time, so I sat there and I...

The only thing I knew about telling stories was what the woman in the store had told me. She said, 'If you’ll notice on the dolls, their eyes are closed. That’s because they’re dreaming the story.' So I said to myself, okay, I’m going to close my eyes and I’m going to dream the story. So I closed my eyes and I started to tell the story of Jumping Mouse. And as I was telling the story, I heard it got very quiet and I still didn’t have the nerve to open my eyes and I kept watching the story with my closed eyes and telling what I saw, and then I opened my eyes about halfway through the story—I finally got my nerve—and people were staring and listening with an intensity... I’d never seen that and nobody ever listens to me that closely. What I was doing was—the main thing a storyteller has to do is to visualize the story, to see the story as you’re telling it. So I didn’t know any better, but I did the right thing.

Q. The story you’re going to tell us today is one you wrote yourself, so tell us about that. It’s called The Pumpkin’s Tale.

A. I had gotten a little program I was reviewing for a local newspaper, a little computer program for writing... to teach children how to write, creative writing, and so in this program there would be pictures instead of words. So instead of spelling out "apple" and typing it out, there would be a picture of an apple and they could just plug it into their story. So I started typing and I typed out, "There once was an…" and I looked over all the different pictures and saw a pumpkin and I plugged in the pumpkin and I kept writing... "who was in love with a…" and I looked over there and saw a carrot, so I plugged that in, "a pumpkin in love with a carrot" and from there on, I just let my imagination go and the story came out. It took about a year and several retellings of it and fooling around with it to polish it enough. You never know where you a story is going to come from….#####
•••••

Bob's CDs and Books:
Foibles and Fiddlesticks
Whimsy and fun are not just for the under-nine-year-old set; oldsters over eleven years have a right to giggle too. The seven stories include Bob's signature pieces like The Pumpkin's Tale and The Swan Tenor as well as new stories like Petey and Delilah (told with Andrea Lovett). It is dedicated to Storytelling's Prince of Fables, Brother Blue.
 
Chopped Herring and Other Brooklyn Tales
A storytelling version of an old photo album, includes six stories that conjure up the smells, sounds and indigestible foods of growing up in 1940s Brooklyn . Bob invites listeners to join Captain Midnight, Superman and Izzie the appetizing king to share his Child's Garden of Flatbush .
 
Children's Books
David Get His Drum
Published by Marshall Cavendish Co. Co-written with Jazz Great, the late Panama Francis and illustrated by award-winning artist, Eric Velasquez. This is a story about a child learning to understand the magic that flows from his heart and hands - The magic of music.
As Panama Francis said, "I am a drummer man. For seventy years I have beat out that dancing sound for people to hear... Every time I see folks smile and tap their feet to the rhythm, I feel as happy as I did on the day I first beat a pair of sticks on an old tin can."
http://bobtales.com/catalog/

Contact:
http://bobtales.com/
bob@bobtales.com
Phone: 914-422-1156

Bob Reiser
15 Oak Ave.
Tarrytown, NY 10591

You may also reach Bob via:
The Westchester Arts Council
914-428-4220 (ask for Jonatha Mann or Ayeshah Wiltshire)

New York Arts Connection
Joanna Hefferen - 212-302-7433 x 486
•••••
•••••

• Rosie Simon (New York)Why Hens Scratch in the Dirt
Rosie has worked with Martha Hamilton and Mitch Weiss in New York to sharpen her skills as a storyteller. We're always so grateful that Martha and Mitch are encouraging young people like Rosie to enter the storytelling world and helping them gain the skills necessary to be successful in this art form.

• Martha Hamilton and Mitch Weiss (New York)
Martha Hamilton and Mitch Weiss work together as tandem storytellers under the name Beauty and the Beast Storytellers.

Who's the Beauty and who's the Beast?
We never tell - You decide!
'Beauty and the Beast' tell stories for all ages, and in settings ranging from elementary school assemblies to theaters, college coffeehouses, and senior citizen centers. They bring to life traditional folktales from around the world, works by contemporary authors, stories from their own experiences, and tales based on historical people and events. Drawing from their large and varied repertoire, they tailor each performance to suit the specific audience. In their performances, Mitch and Martha use gesture, song, mime, and audience participation. Their specialty is tandem storytelling where they combine their contrasting styles, swapping lines and impersonating characters.

Mitch and Martha have traveled as far as Taiwan and Hong Kong to perform and teach others to tell. All of their books have been published in Taiwan because it is such a priority to learn English on the island, and teachers of English have found that storytelling is one of the best ways to get students excited about a new language. "Beauty and the Beast" have also completed numerous tours of European International Schools. Among the places they have told stories are Prague, Vienna, Munich, Florence, Milan, Genoa, Madrid, Moscow, London, and Budapest.
For more information on their performances, go to:
http://www.beautyandthebeaststorytellers.com/performances.html

New Books Just Out and More on the Way!
If we ruled the world, children would be encouraged and given numerous opportunities to tell stories - folktales from various cultures, stories written by their favorite authors, and, of course, their own stories. This would be done formally and informally, to one person and in front of a group, in school and at home. Teaching children to tell stories helps them to find their own voices. It also creates excitement about reading and writing their own stories. When we work in classrooms teaching students to tell, teachers note that students are really excited about reading and telling more tales from our books. They love all kinds of stories - from silly to serious, from pourquoi tales that explain something peculiar about an animal or natural phenomenon to "noodlehead" stories about fools from which children, surprisingly, learn a great deal. But if we had to choose their most beloved genre of stories for telling, it would undoubtedly be scary tales. Stories such as "Tilly," "The Golden Arm," and "On a Dark and Stormy Night" from Stories in My Pocket: Tales Kids Can Tell have always been huge favorites in every classroom where we've taught student tellers.
For a full listing of books and recordings by the Beauty & the Beast Storytellers, go to:
http://www.beautyandthebeaststorytellers.com/whatsnew.html
or
http://www.beautyandthebeaststorytellers.com/booksrecordings.html

Contact:
Beauty & the Beast Storytellers
Mitch Weiss and Martha Hamilton
954 Coddington Road     Ithaca, NY 14850
Phone: (607) 277-0016     Fax: (607) 277-0968
info@beautyandthebeaststorytellers.com
http://www.beautyandthebeaststorytellers.com/
•••••
•••••

• Carrie Sue Ayvar (Florida)The Little Red Hen
Amazing how an Arabic surnamed, Eastern European Jewish girl from Pittsburgh, PA finds herself telling stories from all over the Hispanic world! It seems destined for a bilingual (Spanish/English) 3rd generation storyteller who came of age in Mexico. Blending traditional, international and personal tales, Carrie Sue takes her audiences on a journey into the imagination connecting people, languages and cultures through her stories. Dynamic and unforgettable, Carrie Sue’s performances are filled with as much fun and surprises as her unique and colorful upbringing amongst stories, from which she draws some information, much inspiration and a lifetime of improvisations!

Carrie Sue Ayvar is a third generation bilingual (Spanish/English) storyteller. She has been dedicated to preserving and promoting the art of storytelling throughout the United States and Mexico. She has developed and given storytelling workshops for families, teachers, and students, from preschool to university level, as well as for community groups.

From the time she could sit at the knees of her grandparents, listening to them tell their stories of the Old World or hearing her father recount show business adventures, through her move to Mexico as a teenager, Carrie Sue has been collecting and telling tales.

You can travel around the world with her on an imaginary journey. She takes you on an incredible bilingual exploration across the continents into other times and places using words, rhythms, movement and chants. With the simplest of phrases, "Habíase una vez/Once upon a time . . . " Carrie Sue's magical tales, in Spanish and English, celebrates both the similarities and the differences within our multi-cultural communities. Even if you have never spoken a word of Spanish before, you may find yourself repeating many phrases during and after her enchanting performances!

A nationally acclaimed bilingual storyteller, Carrie Sue Ayvar is dedicated to preserving and promoting the art of storytelling. Sharing her stories in both Spanish and English, Carrie Sue performs at schools, parks, libraries, community festivals, hospitals and museum outreach programs. She has developed and given storytelling workshops and lectures (including Keynote speeches). Believing that stories are one of the best means of explaining and passing on the beliefs, traditions and history that individuals or communities wish to keep alive, Carrie Sue tries to connect people, languages and cultures through her stories. She feels stories are the threads that are woven into the tapestry of time and the telling of them helps to develop language, critical and creative thinking skills as well as to build self-confidence and poise.

Her performances blend entertainment and education. Carrie Sue’s stories are filled with as much fun and surprises as her unique & colorful storyteller's apron from which she plucks information, inspiration & improvisations!

Her training includes The Kennedy Center program for the Performing Arts, “ Artists As Educators: Planning Effective Workshops for Teachers”, “Giving Cues: Developing Performance Materials for Young People” and the Broward Kennedy Center Team’s “Expanding the Scope of Performance Materials – From Arts Only to Integration Across the Curriculum”.

For over three years, always ready to enthusiastically share her fun, she worked with the Big Apple Circus Clown Care Unit ® at Miami Children’s Hospital. bringing her stories, joy & laughter to patients, families and staff. Active in local and national storytelling guilds, she currently serves on the executive board of the Florida Storytelling Association, as State Liaison to the National Storytelling Network and is Chairman of the Florida “Youthful Voices” Storytelling Contest.

As a Chautauqua scholar and performance artist with the Florida Humanities Council’s Speakers Bureau, she shares some of Florida’s unique history with audiences throughout the state. These include:

Rose Weiss, called the Mother of Miami Beach, who, with persistence and a smile, fought prejudice, created jobs, helped the needy and guided the city from its earliest days. One person did make a difference.

Dr. Anna Darrow, “ Doc Anner, the Petticoat Doctor of the Everglades”, was a pioneer woman doctor who started medical school in 1903 just after giving birth to her second child. An accomplished award winning artist, she traveled through the swamps & glades of Florida treating any and all who needed her help no matter their color or backgrounds including fishermen, trappers, Seminole Indians and even dangerous outlaw gangs.

AUDIOCASSETTE
CUENTAME UN CUENTO/TELL ME A STORY
Bilingual Stories told by Carrie Sue Ayvar
• La Hormiguita/The Little Ant
• La Mariposa/The Butterfly
• El Gato Comelón/The Gluttonous Cat
• Porqué El Gallo Canta en la Mañana/Why Rooster Crows in the Morning
• El Regalo Perfecto/The Perfect Gift
• La Gallinita Roja/The Little Red Hen

"As she tells her stories, Carrie Ayvar gets enthused with childish glee. Whether in English or in Spanish, her tales deal with simple facts about nature, animals, daily life, with beautiful images and constructive morals."
--Norma Niurka, journalist
El Nuevo Herald and the Miami Herald

Contact:
Carrie Sue Ayvar
1829 NE 179th St.
North Miami Beach, FL 33162
Cayvar@aol.com
Phone: 305 945-4804
Fax: 305 945-0302
http://www.carriesueayvar.com/
•••••
•••••

• Joe Wos (Pennsylvania)Don on the Farm
ONCE UPON A TOON®
Joe Wos is a freelance cartoonist and storyteller from Pittsburgh. Who has been sharing his talents with audiences across the nation for the past 12 years. His one-man show, "Once Upon a Toon,"combines his passion for storytelling and drawing cartoons. Joe, with his quick wit and lightning-speed drawings of original stories, classic fables and folk tales, never fails to amaze and entertain during "Once Upon a Toon." A single presentation yields an average of 20 original drawings, which are given to the audience at the end of each show. His rapid drawing skills have earned Joe the reputation as "Fastest Draw in the East!" And his tours of Texas, California and Arizona have extended this reputation to "Fastest Draw in the West." Joe has performed at many festivals, museums, libraries, and schools nationwide. His favorite original story, "The Smartest Dragon," is a delightful tale for children and the young at heart. His imaginative spin on classic stories and folk tales, such as "The True Story of Johnny Appleseed," tickles the funnybone every time! The pun-filled adventures of "Don the Duck" leave audiences of all ages groaning and grinning with laughter.

Joe has worked as a freelance cartoonist since the age of 14. Clients have included the late presidential candidate and comedian Pat Paulsen and a goat cheese farm in Slovenia. His mazes, dubbed "The World's Most Difficult" by Ripley's Believe It or Not!, are on exhibit at museums worldwide. His parodys of famous artists and their works, "Great Art Belongs on Refrigerator Doors," remains one of his favorite exhibits. He also created a Toon Studio for the Pittsburgh Children's Museum, loaning his collection of original cartoon by cartoon legends from the past 100 years. Joe, a cartooning instructor since age 18, Joe continues to spread his love of cartooning and share his skills and techniques as a cartoonist with students of all ages. He had the great honor of being the first resident cartoonist of the Charles M. Schulz Museum in Santa Rosa Calif. When not performing , Joe spends his time writing stories for his program and practicing them on his family. He is working on several comic books based on original stories performed during "Once Upon a Toon."

Amazing Joe Wos Facts!
Joe is known as the fastest draw in the east.
Each year, Joe goes through 150 markers and gives away thousands of drawings.
Joe is left-handed.
Joe has performed at festivals and other venues since the age of 15.
During 2003 Joe had over 300 performances, visiting over 30,000 children, telling 700 stories, and drawing over 5000 pictures!
If you were to stretch out the lines in all those drawings, one years worth would stretch over 6 miles!
Joe started working as a freelance cartoonist at the age of 14, when he obtained his first copyright for one of his cartoon characters "JJ Bear".
Joe is a master maze-maker and has created mazes dubbed "The World's Most Difficult" — one of which is in the Ripley's Believe It or Not! Museum collection.
Joe has created an award winning ballet dancing chicken screen saver.
Joe was the very first resident cartoonist of the Charles M. Schulz Museum in Santa Rosa, Calif.
Some of Joe's cartooning credits include designing a map for Presidential Canidate/Comedian Pat Paulsen and, designing a logo for a Goat Farm in Slovenia.
Joe's comic strip "Aesop's Foibles" appears worldwide in Storytelling Magazine.
Joe released a CD titled Top Drawer Tales in 2004.
•••••

Contact Joe at:
You can get in touch with Joe by email, phone or mail. Kids who want to say hi should email or send letters only. Please do not call. Phone number is for grown ups only. Send email to Joewos@onceuponatoon.com
For info on booking Once Upon a Toon or other Joe Wos programs, call Joe at
(412) 760-1896
Joe Wos
Once Upon a Toon
235 Garlow Drive
Penn Hills PA 15235
Joewos@onceuponatoon.com

http://www.onceuponatoon.com/
•••••
•••••

(Page created 1/21/07)

 
Back to top

 

Call Story-Lovers: 707-996-1996
bubbul@vom.com